A compilation film of the Thorny Arc, episodes 43–46 in the second season, featuring additional footage. The movie is a part of the "Gintama 20th Anniversary Project."

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A compilation film of the Courtesan of the Nation Arc, episodes 5–9 in the third season, featuring additional footage. The movie is a part of the "Gintama 20th Anniversary Project."

After Japan's Shogunate is occupied by an alien army, a samurai forced to work as a handyman forms a squad of swordsmen to fight back.

Maria receives a text message informing her husband has been jailed for a drug case. She has to find some money for ransom. But her neighbours who get involved in the drug case have a different solution to get the money and put her daughter into a traumatized situation.

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The red-light district, Yoshiwara, is suddenly taken over by "Aizen Kou," an incense that has the ability to make anyone fall in love with the first person they see. Having been outlawed for its strong potency, the love drug was thought to have disappeared from the red-light district for good; however, it seems to have found its way back inside Yoshiwara's walls and now has the entire district under its influence. Of those affected is the cold-hearted Hyakka captain, Tsukuyo, and the first person she sees after inhaling the smoke is none other than the brazen Yorozuya leader, Gintoki Sakata. Unbeknownst to everyone else though, she was already attracted to Gintoki. With those hidden feelings now intensified, Tsukuyo must overcome her afflictions and work with the Yorozuya to return everyone back to normal.

It has been one hundred years since the first movie theatre was built in Korea. Today it is not just a place for the sake of art but a part of our daily lives. This is an omnibus film of three shorts, which the stories are involved with the 'special but friendly'space. The Famished is a sad fantasy of a man eating his memory for his hunger. Ten Million is a bloody thriller about living as a filmmaker in Korea, and The Loneliness of Butcher Boy is about the relationship between holiness and violation

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.